We felt sad. It wasn't the movie of our dreams. It wasn't that total film we carried inside ourselves. That film we have liked to make, or, more secretly, no doubt, the film we wanted to live.
With Masculin Féminin Jean-Luc Godard follows the template of many of his later films in mixing documentary, stylized dialogue and acting, humour, philosophy, cinema, music, imagery, etc, etc, etc. together to create something that at first seems a bit confusing, but somehow starts to make more sense as it goes. Ultimately it results in some powerful combinations and meditations about youth, politics and life. At the core of Masculin Féminin is the division and fascination between politics and the personal, between men and women, between popular and high culture, and between movies and cinema.
Godard's films don't exist outside of a cinematic context and while there is an intellectual framework, it still works within a world of love for cinema that I share. Fun, thoughtful, occasionally frustrating, and ultimately rewarding (as most films by Godard are).